Thanks to the introspective nature of the songs and the mannered production, they took something totally alive and wild, and wonderfully fun and exciting, and not so magically turned themselves into just another dime-a-dozen indie rock band. Those Darlins fail that task miserably on Blur the Line. A band can mature and grow without becoming a bland shadow of their former selves it's been done many times before. It's just too bad the end result is so uninspiring. Why settle for fine when you're used to thrilling? Yes, they wanted to mature and delve into some deeper lyrical territory, and that's fine. "Optimist" and "Baby Mae" would have been rollicking good times if recorded and played the way songs were attacked on Screws here it sounds fine, but that's really not good enough. Even the few rockers that break up the monotony of the big ballads that dominate the record fail to make much of an impression. The production even manages to tame the wild and woolly vocals of Jessi Zazu, and if you've ever seen the band live, that seemed like an impossible task. Everything sounds so considered and perfectly placed, from the tasteful layering of the guitars to the always under control vocals, that there's almost nothing to grab hold of as the album rolls listlessly along. He spent years squeezing Yo La Tengo's sound until there was no excitement left here he manages the same trick in only one try. Posing nude on the cover of the album certainly does nothing to change that impression neither does their decision to hire Moutenot to produce. Where they used to sound like the kind of band who might fall off a stage mid-performance and maybe steal your car in the middle of the night, now they sound like a band making career moves. Instead, their approach here is more restrained and predictable, with both the songs and the sound failing to catch fire in any appreciable way. After going from a rambling country band to a tough garage punk combo, the group bulk up their sound on 2013's Blur the Line, and with production help from indie rock lifer Roger Moutenot, smooth down the wild edges and careening performances that worked magic on Screws Get Loose. Providing a physical space where artists, musicians, and activists can find the resources they need to do their work and where each participant is supported, encouraged, and empowered.Those Darlins went through a couple of changes after the release of their excellent 2011 album Screws Get Loose, losing one member (guitarist Kelly), adding another ( Adrian Barrera), and then switching up their sound again.Implementing visionary programs that build relationships between artists, musicians, and activists around issues of women's health.Engaging outreach efforts that increase the visibility of issues impacting marginalized communities and strengthen public support for grassroots coalitions and campaigns.Supporting and providing opportunities, through scholarships and grants, to address advocacy and education related to women's health.Our hopes for the growth and evolution of the organization include: Our first efforts will be toward collaborating with existing clinics, healthcare providers, and grassroots organizations to strengthen their work. We aspire to a world where all women have safe, affordable, access to life saving healthcare. We are committed to enabling women to access health care and women's services, especially preventative screenings and education.
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